311 Smith Street, Fitzroy
Neon, glass, mirror, metal and acrylic are placed in precarious relationships in Brendan Van Hek’s upcoming exhibition, the continual condition.
After more than two decades of frenzied discourse around the concept of identity, Claudia Nicholson broaches the complexities with humour, resolve (there was the time she ate a raw lamb’s heart to a panpipe rendition of ‘Unchained Melody’) and freshness.
It is not quiet in Locust Jones’s studio. Rolling news coverage reverberates from every device. As he absorbs this torrent of information, Jones constantly draws, paints and sculpts.
Yes yes yes yes at the Art Gallery of New South Wales is a timely injection of positivity via the decade of change.
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