267 Church Street Richmond VIC 3121
Hayden Fowler’s solo show, Future Distant History, had a distinct post-apocalyptic edge. The title was a clue (picturing the present as the past of a destroyed future is what post-apocalyptic stories do) and so was the pile of bones perched on a pretty white table.
Embodying a performance art born in Sydney’s queer club scene, Justin Shoulder’s latest solo show, Carrion, stakes out post-human, apocalyptic terrain, drawing our attention to the present age of excess and environmental misuse.
The idea of sleep as a communal activity, rather than a private daily obligation, is what underscores Matthew Bird’s interactive installation Dormitorium.
Rather than try to encapsulate more than 60 years in a survey show, the gallery is focusing on one decade of his practice, from Bigger Trees Near Warter to now.
Get the latest Art Guide news