Tradition and innovation are integral to Desert Mob, a festival that showcases Indigenous talent. It is clear that sharing stories is at the heart of the annual event which includes a symposium featuring presentations from artists and art centres, an art market and a dance site, and the Desert Mob exhibition which brings together remote communities from the Northern Territory, South Australia and Western Australia to share their work, knowledge and techniques.
Rather than engaging in a pre-selection process, exhibiting artists and art centres in the Desert Mob exhibition have personally chosen over 250 works to offer a dynamic insight into new processes and modes of expression as well as honoured traditions passed down through generations.
This year Warakurna Artists and Tjanpi Desert Weavers have produced a collaborative project that communicates vital memories through painting and sculpture. “Desert Mob is a forum to display and promote the sacred tjurkurrpa and important stories, many still unwritten, from the artists of the Ngaanyatjarra lands,” says manager of Warakurna Artists, Jane Menzies. “Tjanpi and Warakurna Artists share a lot of the same artists. We wanted to work together to tell a bigger story, which this year is a selection of works in response to the theme of ‘Early Days’”.
One of these works is a near life size contemporary fibre sculpture of an Indigenous family taking shelter around a campfire. Intricately constructed from locally collected grasses and woven fibres, the family sits together with their papas (camp dogs). In an artist statement accompanying the work, the women of Tjanpi Desert Weavers reveal that, “We decided to make this Early Days Family because how they slept, ate and kept warm is really important to us, and it’s important to show our children, grandchildren and other people how they lived, and to remember this time.”
A series of acrylic paintings from Tjarlirli Art Centre are also included in the Desert Mob exhibition. Representing artists from the small remote communities of Tjukurla and Docker River, manager of Tjarlirli Art Centre Hayley Birchley describes the innovative techniques and strong connections to family and storytelling evident in the selected works. “All of the pieces really highlight what is unique and special about Tjarlirli work, which is partly those close family ties to the founding senior men of the contemporary Aboriginal art movement in the early seventies,” Birchley says. “Each artist is telling their own story in their own way but they don’t feel a need to express the very precise, topographical birds-eye views of the landscape so common in desert art. They paint the same scene unrestrained by convention. It’s not the placement of landmarks but the process which is of paramount importance. The telling of the story.”
Celebrating its 25th anniversary at the Araluen Arts Centre last year, Desert Mob maintains a strong foothold as a standout annual gathering for remote desert art communities. It is not only a chance to see the breadth of contemporary Indigenous arts practice; it is also a vital opportunity to connect the past to the present, to keep traditions alive and to share with new generations.
Desert Mob 2016
Araluen Arts Centre
8 September – 23 October
Endlessly inventive, the work of Hong Kong-born, Melbourne-based artist Scotty So spans photography, painting, video work, and drag performance. With a dual exhibition at the Art Gallery of Ballarat, So talks about pageantry, begonias and queens.
Kokatha and Nukunu artist Yhonnie Scarce has earned critical acclaim for her research in nuclear testing and its ongoing impact on First Nations communities. With a survey at the Art Gallery of Western Australia, Scarce speaks to her blown glass forms.
A new exhibition at Bendigo Art Gallery, drawn from the Musée Carnavalet in Paris, brings the Belle Èpoque era to life through impressionist paintings and antique ephemera. View, in pictures, a slice of Parisian history.
Working en plein air, Clarice Beckett’s tonalist paintings capture not only the likeness of a place, but how it felt to be there. Revisit our preview of the historical artist, who is now showing at Cairns Art Gallery with work from the 1920s and 30s.
With scores of artists in the current 24th Biennale of Sydney, we look at nine artists from around the world participating in the event, from a Japanese queer icon to a Polish film director, to creations of Māori barkcloth to Indian tattoos.
Parrtjima—the Northern Territory’s annual festival of lights at the Alice Springs Desert Park—is entering its ninth year, and this time the immersive festival’s focus is interconnectedness.
