Sue Lovegrove on the humbling immensity of nature
“Sometimes I think of my paintings as a sound score to the pulse of the landscape.” Sue Lovegrove presents 12 new abstract landscape paintings in her latest show at Gallerysmith.
“Sometimes I think of my paintings as a sound score to the pulse of the landscape.” Sue Lovegrove presents 12 new abstract landscape paintings in her latest show at Gallerysmith.
In the most significant exhibition of his career to date at Pinnacles Gallery, Danish Quapoor explores the contradictory emotions of grief while navigating complex shifts in identity and belonging.
Congratulations to Ellen Dahl, who has won the $30,000 2024 National Photography Prize for her work, Four Days Before Winter, a four-part piece exploring the devastating effects of climate change on the Norwegian archipelago of Svalbard.
Ceremony and radical activism may seem like differing forces, but The 4th National Indigenous Art Triennial is showing us otherwise, centering itself on art, action and change. This touring exhibition is now on display at Western Plains Cultural Centre.
Working en plein air, Clarice Beckett’s tonalist paintings capture not only the likeness of a place, but how it felt to be there. The historical artist has been gaining a devoted and deserved following, with Cairns Art Gallery now showing her work from the 1920s and 30s.
Known for her beguiling, stained canvases, and her evocation of matrilineal Indigenous histories, Waanyi artist Judy Watson is now embarking on a 40-year survey at the Queensland Art Gallery.
Mai Nguyễn-Long’s latest exhibition at Wollongong Art Gallery takes influence from her Vietnamese heritage and living in a modern Australian setting—speaking to the trauma experienced by the diaspora.
Anne Zahalka’s retrospective at the Museum of Australian Photography offers the chance to see 40 years of her revered photographs. In our interview she talks about reflecting on her work, the necessity of humour, and making art in times of political and climate crises.
Belinda Winkler and Kevin Perkins AM use the southern Tasmanian landscape as inspiration for a series of works that contrast curve and plane, which are now showing at Bett Gallery.
In a rare interview, alongside her showing in the 24th Biennale of Sydney, Tracey Moffatt talks about her penchant for the staged and surreal, going beyond identity, growing up in Brisbane and moving to New York in her thirties, and the importance of imagination.
In 1841, the women aboard a British convict ship crafted a large-scale quilt known as ‘The Rajah quilt’. It’s one the most requested items from the National Gallery of Australia’s collection—and it’s now showing alongside a further 21 quilts, many crafted by women.
Two years after Josh Muir’s untimely passing at the age of 30, the Koorie Heritage Trust celebrates his work and legacy in an exhibition co-curated by his mother and partner.
With scores of artists in the current 24th Biennale of Sydney, we look at nine artists from around the world participating in the event, from a Japanese queer icon to a Polish film director, to creations of Māori barkcloth to Indian tattoos.
Gareth Sansom talks about ambition, chance and mortality, and what changes over six decades and what remains the same.
Congratulations to Marikit Santiago, who has won the 2024 La Prairie Art Award for her two works A Seat at the Table (Magulang) and A Seat at the Table (Kapatid).